Saturday, 3 November 2012

Important poets,Dramatists and Writer of Renaissance Age


Name: Joshi Deepti M
Roll no: 05
Paper: Renaissance Literature
Topic: Important poets, Dramatists and Writer of the Age
Submitted to: Dr. Dilip Barad
                         Department of English
                         M.K.University, Bhavnagar

Important poets, dramatists and writer of the Renaissance Age

Introduction:

                       This period is generally regarded as the greatest in the history of our literature. Historically, we note in this age the tremendous impetus received from the exploration of the new world.
Such an age of thought, feeling and vigorous action, finds its best expression in the drama and it is the most significant characteristic of the Elizabethan period. Though the age produced some excellent prose works, it is essentially an age of poetry. The literature of this age often called the literature of the Renaissance Age.

Major poets of Renaissance Age:-

1. Edmund Spenser:

                                Edmund Spenser is rightly called the poet’s poet, because all great poet of the England have been indebted to him.C.Rickett remarks,

“Spenser is at one the child of the renaissance and reformation. On one side we may regard him with Milton as-the sage and serious, on the other side he is the humanist, alive to the fingertips with the sensuous beauty of the southern romance”


Spenser’s main political works are: The shepherd’s calendar, two eclogues, March and December are famous poems. Amoretti, a collection of eighty patrachan sonnets Epithalamion, a magnificent ode written on the occasion of his marriage with Elizabeth Boyle Prothalamion,An ode on Marriage Astrophel,An elegy on the Death of Philip Sidney, four Hymns written to glorify love and humour his epic, the faerie Queen.

The introduction of Spenserian stanza is Spenser’s most remarkable contribution to poetry. Renwick says


“Shakespeare himself might not have achieved so much, if Spenser had not lived and labored”


2. Sir Philip Sidney:

                                 Sidney was the most celebrated literary figure before Spenser and Shakespeare. As a writer he is known by three principle works, all published after his death, showing how little importance he attached to his own writing, even while he was  encouraging Spenser.

  ‘The Arcadica’ is a pastoral romance, though the work was taken up idly as a summer’s pastime, it become immensely popular and was imitated by a hundred poets.’ The Apologia for poetrie’, generally called the defense of posies-appeared in answer to a pamphlet by Stephen Gosson ‘Astrophel and Stella’ is a collection of songs and sonnets addressed to Lady Penelope Devereux.

3. George Chapman:

                                  Chapman had written chiefly for the stage. His plays, which were for the most part merely poems in dialogue. His most famous works is the metrical translation of the Iliad and of the Odyssey. Chapman is remembered also as the finisher of Marlow’s Hero and Leander, in which, apart from the drama, the renaissance movement is seen at perhaps its highest point in English poetry.

Sir Thomas Wyatt:

                                Wyatt brought to English poetry grace, harmony and nobility. He followed the Italian models and attempted a great variety of metrical experiment-songs, sonnets, madrigals and elegies. Wyatt’s true ability as a poet is revealed not by the sonnets but by a numbers of Lyrical and songs that he composed.

5. William Shakespeare: 

                                       Shakespeare composed many beautiful sonnets and two long poems- ‘Venus and Adonis’ and ‘the Rape of Lucerne’. This poem is remarkable for felicity of diction and flexibility of versification.  

6. Ben Johnson:

                          Ben Johnson was a pioneer in field of poetry. His poetic work consist of short piece which appeared in three collection-Epigram’s, the forest and, the underwood.He is a first rate satirist in Elizabethan poetry. The spirit of satire looms large in these three collection oh his poetry. Ben Johnson was the first English poet to write Pindaric odes. His ode to himself is a fine example of this genre; To Celia, Echo’s song and a song are his memorable lyric.

 Major Dramatist of Renaissance Age


1. Shakespeare:

                         At the time of Shakespeare’s death twenty -one plays existed in manuscript in the various theaters. A few others had already been printed in quarto form and the latter are the only publication that possibly have Met with the poet’s own approval. The first printed collection of his plays, now called the ‘First Folio’, was made by two actors, Heming  and Condell, who asserted that they had access to the papers of the poet and had made a perfect edition,,

“In order to keep the memory of so worthy a friend and fellow
Alive”

 A careful reading of the play and poems leaves us with an impression of four different period ok works. And these are;

1. A period of early Experiment:

 Typical works of this period is his early poems, Love’s Labor’s, two Gentlemen of Verona and Richard.

2. A period of rapid growth and development:

Such plays of this period are the merchant of Venice, Midsummer Night Dream, as you like it, and Henry 4.His all this work show more careful and artistic work, better plots and a marked increase in knowledge of human nature.

3. A period of gloom and depression:

 This period marks the full maturity of his pewers.what caused this evident sadness is unknown but it is generally attributed to some personal experience. The sonnet Twelfth night and his great tragedies, Hamlet, KingLear, Mackbath, Othelo, and Julius Seaser, belong to this period.

4. a period of restored serenity, of calm after storm:      
           
 The winter’s tale and The Tempest are the best of his later plays. But they all show a falling off from his previous work and indicate a second period of experimentation.

2. Christopher Marlowe:


     Marlowe is one of the most suggestive figures of the English Renaissance. The glory of the Elizabethan drama dates from his Tamburlaine; it is the story of Timur the Tartar. Tamburlaine is an epic rather than a drama.Faustus, the second play is in of his best work. It is the story of a scholar who longs for infinite knowledge and in order to learn magic he sells himself to devil.Maelowe’s third play is The Jew of Malta, a study of the lust for wealth. Marlowe’s last play is Edward II, a tragic study of a king’s weakness and misery.
Marlowe is the only dramatist of the time who is ever compared with shakespeare.it is rightly said than-


“In all that makes a dramatist genius, Shakespeare stands alone, Marlowe simply prepared the way for the master who was to follow”


3. Ben Johnson:

Johnson’s work is in strong contrast with that of Shakespeare and of the later Elizabethan dramatists.
 
He alone fought against romantic tendency and restored the classic tendency. Johnson’s first comedy, every man in his humour is a key to all his dramas. The best known of his comedies are Volpone, or the fox, The Alchemist and Epicane or the silent woman.

4. Beaumont and Fletcher:

The work of these two men is so closely interwoven that, though Fletcher outlived Beaumont by nine years and the letter had no hand in some forty oh the plays they bear their joint names, unlike most of the Elizabethan dramatist, they both come from noble and cultured families. Their work is totally contrasted with Johnson’s.
Their join plays. The two best known are Philaster and The maid’s tragedy.

5. Thomas Middleton:

Middleton is best known by two plays, the changeling and women beware women. And two earlier plays a trick to catch the old one and a fair Quarre are his best comedy drama.

Major Writer of the Renaissance Age:

1. Prose writer-

the prose of early renaissance consist largely of translation. The writer of this period was educationists and reformers rather than creative writers;

1. Sir Thomas More:

 He was one of the early humanists and the first prose writer of great literary significance. his famous work Utopia was written in Latin, but it was translated into English in 1551by Ralph Robinson. It is the true prologue of Renaissance. Utopia has been called the first monument of modern socialism. Thomas more extols democratic communism-people’s state, elected government, equal distribution of wealth and nine hours work a day. In English literary Thomas more is not remembered for his contribution to style but for the originality oh his ideas.

2. Roger Ascham:

 Roger Ascham’s first work the school of shooting was written in English. Commenting on the state of English language he writes-
“Everything has been done excellently well in Greek and Latin, but in the English tongue so meanly no man can do worse. But I have written this English matter, in the English tongue for Englishmen”
His second work, the school master contains intellectual instructions for the young. He was the first writer who wrote the English speech for the English men.

3. Sir Thomas Elyot and Sir John Chake:

Elyot’s the Governor is a treatise on moral philosophy and education. His prose does not concern with common man but it is restrained and classical.Cheke was a teacher of Greek art at Cambridge. He wrote the heart of sedition which shows the influence of classicism and antiquity. To him both form and matter were equally important. His prose is vigorous.argumentativ, eloquent and humours.

2. Essay writers:

the year 1597, when Bacon published his ten essays, marks the beginning of essay writing in English literature.

1. Sir Francis Bacon:

 Bacon occupies a dominant place in English prose. He wrote varied type of prose. he is philosophical in the Advancement of learning, historical in the History of Henry and speculative in  New Atlantis.Becon occupies a permanent place in English prose due to his  first edition of 10 essays which appeared in 1597.the second and third edition raised the number to 38 and 58 respectively.Becon.s essay introduced a new form of literature into English. He was he first English writer who employed a style that is conspicuous for licidity.clarity, economy, and directnness.His image and figures of speech are simple and clearly illustrate the ideas that he wishes to communicate.
2. Sidney and Raleigh:

 Sir Philip Sidney, who has already been considered as a poet. Is quite as well known by his prose works, Arcadica, a pastrol romance and The Defense of Poesie.While Raleigh’s chief prose works are the Discoverie of Guiana and the history of the world. The history of the world I interesting chiefly for its style, which is simple and dignified, and for the flashes of wit and poetry.

3. Ben Johnson:

Ben Johnson wrote aphoristic essays which are complied in The Timber of Discoveries, which was published in 1641.His essays, are moral and critical. Johnson’s style is noticeable for lucidity, terseness and strength. He treats a subject in a simple and plain manner.

4. John Selden:

John Sedan’s Table Talk abounds in sharp, acid-natured aphorisms exhibiting tough common sense and little imagination. As a practitioner of aphoristic essay he stands next to Bacon and Ben Johnson. He also wrote The Titles of Honor and The History of Titles.




                               





                          



Kanthapuara as Gandhian Epic


Name: Joshi Deepti M
Roll no: 05       
Paper: Indian Writing in English
Topic: Kanthapura as Gandhian Epic
Submitted to: Heenaba Zala
                          Department of English
                          M.K.University, Bhavnagar

    Kanthapura as Gandhian Epic

Introduction:

“Gandhi was like a powerful current of fresh air……Like a beam of light that pierced the darkness and removed the scales from our eyes; like a whirlwind that upset many things, but most of all the working of people’s minds


Mahatma Gandhi during freedom struggle time wielded a great influence on the Indian masses. And his struggle for freedom introduced some new trends in Anglo-Indian fiction, and some great writers of all the Indian language produced some masterpiece in novel, poetry, drama and other forms of creative writing.
Raja Rao was most celebrated novelist of India in 1930s and 1940s. He had depicted his novels through the usage of Gandhian theme. Kanthapura is best example of how Gandhian ideologies influenced in Indian writing in English.


   An Epic is a long narrative poem telling of heroic acts, the birth and death of a hero or of nation’s etc.Kanthapura is also an epic. Kanthapura is a tell of the impact that Gandhi had on the nation. He converted the whole nation into an army of freedom fighters. Gandhi was no less than the hero of an epic. The freedom struggle of India was an epic struggle. Thousands of people sacrificed their lives. It was remains in the background through the novel; Gandhi is no doubt the hero of movement on a small village called Kanthapura.


 By reading the novel one get idea about the methods and principle of Gandhi. Moorthy and the others freedom fighters of Kanthapura are followers of Gandhi and use Gandhian methods in their struggle against the government. They followed the path of non-violence. The people of Kanthapura picketed the toddy grove. Many toddy booths in and around Kanthapura are picketed. This is done to show that they want toddy trees to be destroyed because they are used to make toddy which brings about economic and moral hard-earned money in this toddy is very harmful for them, while doing all this they use non-violent methods and does not lose control even when they are being manhandled and beaten mercilessly by the polive.Even women and children are manhandled. Gandhi never appears in scene but he remains in the background throughout the novel but the influence of him on the people is tremendous.


 Like thousands of young men all over the country Moorthy gave up his studies and joined freedom movement. He dedicated his life to the country after he had a vision of Gandhi. Moorthy tried to follow the principle of Gandhi. He burnt his foreign clothes and started using Khadi.He did not marry and devoted his life totally to the struggle for independence. He sacrificed his personal life and happiness for the sake of his country. He became the leader of the freedom fighters in Kanthapura.

The Gandhian movement was brought to Kanthapura by Moorthy and the other city boy. He went from door to door to tell people about Gandhi and his views and principles. He distributed Charkhas among the people of Kanthapura free of cost. He had contact with the city congress and charkhas were given to him by free of cost for distributing among the villagers. In the beginning, he found it difficult to convince the villagers to take the charkhas’ and start spinning cloth on a regular basis.Ultimetly he was able to convince most of them that it was essential not only for them but also for achieving political freedom, with tine more and more people joined congress. And now people of Kanthapura regarded Moorthy as the Gandhi of Kanthapura.

Moorthy did not stop working for upliftment of the Pariahs though Swami had said to him that he would be excommunicated. But Moorthy did not take it seriously. Like Gandhi he also kept a fast for three days because he felt that he had not been able to live up to the ideas of the Mahatma. He held himself responsible for the Skeffington Coffee Estate. After the fast he started the ‘Don’t touch the government campaign’. Under his leadership the people of Kanthapura picked non-violence like a true followers of Gandhi. He was arrested by the police many times and during his trial, he behaved like a true Gandhian.

 Like many young satyagrahis all over the country one point of time starts feeling that by following Gandhi’s methods they may not be able to achieve their aim. He still respected the Mahatma but he felt that British were able to fool him very easily. Moorthy was than attracted by the ideas and thoughts of Nehru.

Like Moorthy there were other characters like Advocate Sankar, Rangmma and Ratna were also the followers of Gandhi. Rangmma actively participated in work of the congress. Her house became the office of the congress in Kanthapura. The freedom fighters used to assemble at her house and discuss their plan of action. She took actively participated in organizing the women of Kanthapura and forming the Savika Sangh. Ratna was also a follower of Gandhi. She was a widow and only fifteen years old. She becomes the leader of the freedom fighters in Kanthapura in absence of Moorthy.

As Moorthy was following Gandhi’s method li9ke him Advocate Sankar also tried to follow the principle of Gandhi and as a very honest and upright man. He was lawyer like Mahatma Gandhi, he did not take up false cases and if at any point he came to know that his client had lied to him and was actually guilty, he gave up the case immediately and in some cases he even made them confess. According to some critics,
“The character of Advocate Sankar is based on Gandhi himself
From this we come to know what Gandhi really stood for.Saankar lead a simple life and was in favor of Khadi.And he refused to go to any marriage party in which people were not dressed in Khadi.

There were many other people in Kanthapura like Rachnna, Range Govda etc, who were also followers of Gandhi. By the time the Satyanarayan puja was organized, it had become a mass movement and most people of Kanthapura had joined the Gandhi movement.
So throughout the novel we can see the influence of Gandhi on the character of Kanthapura.Throughyout the novel Moorthy acted as a local Mahatma Gandhi and followed Gandhian philosophy. Here we can compare Moorthy and Gandhi. Gandhi devoted his life to India’s struggle for independence. And Moorthy refuses his religious doctrine for the sake of his villagers as Gandhi did for our nation. Gandhi neglected his family for the sake of his motherland. He was not interested in monetary gain or in worldly things. He converted the whole country into an army of freedom fighters.

Moorthy also left his studies and hope of a glorious future for the sake of the country; He devoted his life to the struggle for independence after he had a vision of Gandhi and worked for removal of untouchability and removal of other social evils. Moorthy worked for upliftment of Pariahs. Gandhi had started the movement for removal of untouchability. Moorthy was a follower of Gandhi and told the people of Kanthapura about the views and ideas of Gandhi. After the violence at the gate of Skeffington Coffee Estate when Moorthy had tried to enter the Estate, he kept the fast because he felt that he had not been able to live up to the ideals of the Mahatma. Moorthy actually tried to follow Mahatma’s doctrine loving one’s enemies. He really respected Gandhi.

The novel encompasses with Gandhian ideology and freedom struggle. The story of satyagrahis moved forward steadily till it reached to its climax. It was story of the people of a small village who realized that they need to rise and fight for the freedom of their motherland. They made efforts in this direction and they fail. They left Kanthpura and settled in Kashipura.As a result of the final clash between the freedom fighters and the soldiers many people died and many were injured. After this clash, the whole village was set on fire and destroyed and many people were arrested. The remaining people left the village and never come back.

 During freedom movement as a leader or Gandhi of Kanthapura Moorthy told villagers about the elements that were taking place all over the country. Moorthy told them about Gandhi and his ideals and views. He told them about important events like Dandi March. Here Mahatma Gandhi never appears on the scene but his presence was felt all the time through the novel.

 As inspired by Gandhi’s satyagraha.even the coolies of Estate joined the freedom fighters of Kanthapura.Coolies of Coffee Estate joined the satyagrahis from Kanthapura but they were made to march back to the Estate. And they were made to walk through street with their heads bent. And they also were made to work without any break and the money that had been promised was not given to them.

SO here Raja Rao enhances the novel through usage of Gandhian ideology and Gandhian thought. And novel had two plot and first plot dealt with the impact of the Gandhi movement in a small village called Kanthapura. And Gandhian Ideology not influenced only any particular group, but it had influenced by different kinds of group and individual.

In “Kanthapura”Rja Rao assimilates spiritual and religious aspects of Gandhian theme more deeply. And the village called Kanthapura is the centre of novel where all struggle movement take place and all struggle movement take place and all struggles are under influenced of Gandhian Ideology.
Conclusion:
                      At first Gandhian ideology spread as a music in every nook and corner of the village Kanthapura and it directs people against British rulers. It is Kanthapura in which Raja Rao’s music for Gandhi achieves its perfection. And truly made it Gandhian novel or Gandhian Epic.
.                   


Thursday, 1 November 2012

Wordsworth as Critic and his views on subject matter of poetry


Name: Deepti Manishbhai   Joshi
Roll no: 05
Semester: 01
Paper: Literary theory and Criticism
Submitted to:   Dr.Dilip Barad
                           Department of English,
                            M.K. University, Bhavnagar.


                          Wordsworth as Critic

Introduction:

                        Wordsworth was primarily a poet and not a critic. He was left behind him no comprehensive treatise on criticism. The bulk of his literary criticism is small yet “the core of his literary criticism is as inspired as his poetry.”There is the same utter sincerity, earnestness, passion and truth in both. He knew about poetry in the real sense, and he has not said even a single word about poetry, says Chapman

  “Which is not valuable, and worth thinking over”

      Wordsworth’s criticisms of far-reaching historical significance. When Wordsworth started, it was the Neo-classical criticism, which held the day. Critics were preoccupied with poetic genres poetry was judged on the basis of rules devised by Aristotle and other ancients, and interested by the Italian and French critics. They cared for rules, for methods, for outwards form. And had nothing to say about the substance, the soul of poetry.Wordsworth is the first critic to turn from there poetry to its substance; builds the theory of poetry, and gives an account of the nature of the creative process. His emphases are novelty, experiment, liberty, spontaneity, inspiration and image as contrasted with the classical emphasis on authority, tradition and restrain. His ‘Preface ‘is an unofficial manifesto of the English romantic movement giving it a new direction, consciousness and program. After Wordsworth had written, literary criticism could never be the same as before.


   Wordsworth through his literary criticism demolishes the old and the faulty and opens out new vistas and avenues. He discards the artificial and restricted forms of approved 18th century poetry. Disgusted by the “Gaudiness and Innes phraseology “of many modern writers, he criticizes poets who:

“……..separate themselves from the sympathies of man,
And indulge in arbitrary and capricious habits of expression,
In order to furnish food for fickle tastes, and fickle
 Appetites,of their own creation.”

        Discarding formal finish and perfection, he stresses vivid sensation and spontaneous feeling. He says:

“All good poetry is the spontaneous overflow of powerful feelings”

Scott James says:

His discards Aristotelian doctrine for him, the plot, or situations, is not the first thing. it is the feeling that matters”

Reading against the artificiality of 18th century poetry, he advocates simplicity both in theme and treatment. He advocates a deliberate choice of subject from “humble and rustic life.”Instead of being pre-occupied with nymphs and Goddesses, he portrays the emotions of collage girls and peasants. There is a healthy realism in his demand that the poet should use “The language of common men “and that he should aim at keeping, “The readers in the company of flesh and blood”

There is, no doubt, his views in this respect are open to criticism .Scott James points out, the flash and blood and emotions of a townsman are not more profound. Besides, by confining himself wholly to rustic life, he excluded many essential elements in human experience. Thus, he narrowed down his range.

“His insistence on the use of a selection of language really used by men is always in danger of becoming trivial and mean”

There is also, no doubt, that he is guilty of over-emphasis every now and then, and that it is easy to pick holes in his theories.Colerdge could easily demolish his theories of poetic diction and demonstrate that a selection of  language as advocate by Wordsworth would differ in no way form the language of any other man of common sense.


All the same, the historical significance of his criticism is very great. It served as a corrective to the artificial and inane phraseology and emphasized the value of a simpler and more natural language. By advocating simplicity in theme, he succeeded in enlarging the range of English poetry. He attacked the old, outdated and trivial and created a taste of the new and significant. He emphasized the true nature of poetry as an expression of emotion and passion, and so dealt a death blow to the dry intellectuality of contemporary poetry. In this way, he brought about a revolution in the theory of poetry, and made acceptance of the new poetry, the romantic poetry, possible.


Unlike other romantics, Wordsworth also lays stress on the element of thought in poetry; he has a high concept of his own calling and so knows that great poetry cannot be produced by a careless or thoughtless person. He says:

“Poems to which any value can be attached were never
Produced on any variety of subject but by a man who, being passed of more than usual organic sensibility, had also thought long and deeply

Poetic process is a complex one. Great poetry is not produced on the spur of the moment. It is produced by only when the original emotion is contemplated in tranquility and the poet passions anew.
Wordsworth goes against the neo-classic view that poetry should both instruct and delight, when he stresses that the function of poetry is to give pleasure, a pleasure of a noble and exalted kind, pleasure which results from increased understanding and sympathy. If at all it teaches, it does so only indirectly, by purifying the emotions, uplifting the soul, and bringing it nearer to nature. 


The credit for having democratized the conception of the poet must go to Wordsworth. According to Wordworth, the poet is essentially a man who differs from other men not in kind, but only in degree. He is essentially a man speaking to men. He has certain gifts in a higher degree than others. He has a more lively sensibility, a more comprehensive soul, and greater powers of observation, imagination and communication. He is also a man who has thought long and deep. Others also have these gifts, but the poet has them in a higher degree. Wordsworth emphasizes his organic oneness as also the need for him of emotional identification with other men.

  
Conclusion 


We can do no better than conclude this account of the achievement of Wordsworth as a critic with the words of Rene Wellek

Wordsworth thus holds a position in the history of criticism which must be called ambiguous or transitional. He inherited from neo-classicism a theory of the imitation of nature to which he gives, however, a specific social twist: he inherited from the 18th century a view of poetry as passion and emotion which he again modified by his description of the poetic process as. “Recollection in tranquility”. He takes up rhetorical ideas about the effect of poetry but extends and amplifies them into a theory of the social effects of literature, binding society in a spirit of love. But he also adopts, in order to meet the exigencies of his mystical experiences, a theory of poetry in which imagination holds the central place as a power of unification and ultimate insight into the unity of the world.
              
Wordsworth’s view on the subject matter of poetry

Introduction:

                   In the ‘Advertisement’ to the 1798 edition of Lyrical Ballads,Wordsworth and Coleridge state the poem in the collection were intended as a deliberate experiment in style and subject matter.Wordsworth elaborate on this idea in the “Preface” to the 1800 and 1802 edition which outline his main ideas of a new theory of poetry.

And rejecting classical notion that poetry should be about elevated subjects and should be composed in a formal style, Wordworth instead championed more democratic themes-the lives of ordinary men and women, farmers, popupers, and the rural pour. In the “Preface” Wordworth also emphasized his commitment to writing in the ordinary language of people, not a highly crafted poetical one. True to traditional ballad form, the poems depict realistic characters in realistic situations, and so contain a strong narrative element.

Wordsworth’s views on the subject matter of poetry

Object:-

            The principle objects, and then proposed in these poems was to choose incidents and situations from common life, and to relate and describe them, throught, as far as possible in a selection of language really used by men, and at the same time, to throw over them a certain coloring of imagination, whereby ordinary things should be presented to the mind in a unusual aspect; and further and above all ,to make these situations and incidents interesting by tracing in them, truly though not ostentatiously, the primary laws of our nature: chiefly as regard the manner in which we associate ideas in a state of excitement.
Humble and Rustic Life

    Humble and rustic life was generally chosen, because in that condition, the essential passion of our heart finds a better soil in which they can get their maturity. are less under restrain, and speak a plainer and more emphatic language; because in that conduction of life, our elementary feeling co-exist in a state of greater simplicity, and more forcibly communicated; because the manners of rural life germinate from these elementary feelings, and from the necessary character of rural occupations, are more easily comprehended, and are more durable; and lastly because in that condition the passion of men are in carp rated with the beautiful and permanent forms of nature.
Language:-
      The language, too, of these men has been adopted purified indeed from what appear to be its real defects, from all lasting and rational causes of dislike and disgust because such men communicate with the best objects from which the best part of language is originally derived; and because, from their rank, in society and sameness and narrow circle of intercourse, being less under the influence of social veriety,they convey their feelings out of the repeated experience and regular feeling is a mare permanent, and a rare more philosophical language, than that which by poets, who think that they are conferring honor upon themselves and their art, in preparation as they separate themselves from the sympathies of men, end indulged in arbitrary and capricious habits of expression, in order to furnish food rar appetites of their own creation.
 Conclusion:-

                      Thus, Wordsworth’s views on poetical style are the most revolutionary of many modern writers. He insists that his poems are written in Selection of language of men in a state of vivid sensation’. His views of poetic diction can be summed up: thre neither is nor can be any essential difference between the language of prose and metrical composition